How to block textured knits

Here's the situation: you've just finished knitting something with fantastic texture, either in cables or knits-and-purls, and now you need to block it. Wet-blocking, where you soak the project before laying/pinning it out to dry, can really flatten out texture, especially if you've used a yarn that doesn't 'bounce back' much once it's dry (like an alpaca or silk blend).

I had just this dilemma when I finished my Beeswax Scarf! I had wet-blocked my swatch and been disappointed by how flattened-out it was. Obviously, I was keen to try a different blocking method that would preserve more of the lovely texture!

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New pattern: Beeswax Scarf

I've combined my love of bees and textured knits once again, and the result is the Beeswax Scarf! Its large-scale honeycomb pattern echoes the cables on my Beeswax Hat, but this is much easier to knit - and most importantly for a scarf, it's easy to knit flat. No cables here, just simple lace and garter stitch. It's so incredibly cosy, I can't wait for winter... ;)

The stitch pattern really is simple to knit, and watching the honeycomb grow is quite addictive. The only skills you'll need are working basic lace stitches (knit, purl, yarn-over, k2tog, and ssk), slipped stitches at the edges, and the Long Tail Cast On (which is optional). Charts are included as well as full written instructions.

Bohemia Worsted by Outlaw Yarn is a snuggly, luxurious blend of polwarth wool, alpaca, and possum fibre. This amazing rich golden colour is called 'Troy', and I used three balls for my scarf with plenty left over for swatching.

The Beeswax Scarf pattern includes three size options - a standard scarf (which is the one I knit), a wider scarf, and a wrap. All are a generous length for maximum cosiness.

Features:

  • an all-over textured honeycomb pattern

  • knit flat from end to end

  • three width options (scarf, wide scarf, and wrap)

  • easy to enlarge by adding extra repeats to the length and/or width

  • requires 3, 4, or 5 balls of Outlaw Yarn's Bohemia Worsted (depending on size) or 611-1018 yards of worsted-weight yarn

  • solid, semi-solid, or heathered yarn is ideal

  • pattern includes full written instructions as well as charts.

Find out more about my Beeswax Scarf pattern, including Ravelry and Payhip purchase options.

Insulate 1,000!

My INSULATE! Hat has reached 1,000 projects on Ravelry - that's a huge milestone for me, and I'm thrilled that so many people liked my hat enough to knit their own! You can see a few of these fabulous projects (in an amazing array of colour combos) on the pattern's Ravelry page.

The INSULATE! Hat was one of my early-ish knit designs from mid-2012, and I offered it as a free pattern to other knitters who share my geeky love of Daleks. Its stranded colourwork design is nice and simple, and every now and then I receive a lovely comment from someone who used this hat as their gateway to knitting colourwork, which really warms my designer heart!

If you'd like to make one of your own, you can download the free pattern on Ravelry or Payhip.

Swatching in the round

Swatching in the round is something I know I should do if my project will be knit in the round, but I admit I sometimes swatch flat instead, especially if the stitch pattern is easy to work flat (like stockinette or a knit/purl texture). But for an important project like a garment or something else that will take a lot of yarn and time, there's no way around it - swatching in the round will give you the most accurate gauge information.

In this post I'll be showing you how I knit the swatch for my Cinnamon Stars cowl. The method will work for any stranded colourwork project, and for any other project knit in the round.

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Bees on the brain

I'm a week and a bit into my holiday at Mum & Dad's in Whakatane, and so far I've knit half a scarf and taken a ridiculous number of photos. I've borrowed Julian's DSLR camera for the trip, so I can get to grips with its manual controls with Dad's help. It's a lot of fun taking practice photos of whatever I fancy!

But before I get into photo-talk, I'll show you the scarf. It uses a stitch pattern I drafted up about six months ago, which is a lace-and-texture version of my Beeswax cable pattern. It traces the same shapes, with decreases forming the surface layer of honeycomb and yarn-overs forming the layer behind. The benefit of this version is that it's easy to knit flat, whereas the cabled Beeswax pattern is only really suitable for knitting in the round.

The yarn is a rich golden shade of Outlaw Yarn's Bohemia Worsted called 'Troy'. I hope to have the pattern available in about a month's time. :)

One really cool thing about playing with a DSLR camera (and having a photographer and his gear on hand) is trying out different lenses. My favourites at the moment are macro tubes, which can be stacked behind the lens to get varying levels of close-up-ness.

You can really see the darker possum fibres and lighter alpaca hairs in this yarn with a macro shot:

I've also been taking lots of photos around the garden, of flowers and insects and birds. I'm most proud of these bee photos, taken with a macro tube extension. The bee was foraging in a big patch of flowering pizza thyme, one of my family's favourite all-purpose herbs.

As part of my new photography learning curve, I've signed up for the free course A Year With My Camera, which involves weekly email lessons and homework assignments to share in the Facebook group (or on Instagram). We're only two weeks in, so you can still join in if you'd like!