The lace stitches used in my Beanstalk Hat and Ensata Hat are mostly familiar ones: yarn-overs, k2tog and ssk, and knitting through the back loop (k-tbl) for added texture. But when you get to the crown of the hat, twisted decreases are thrown into the mix. You’ll find the motions familiar when working the twisted versions of k2tog, ssk, and k3tog - the big difference is that the stitch which ends up on top needs to be re-oriented so that it will twist the same way as a k-tbl stitch.
Read MoreHow to work mini-bobbles
When I came up with the idea for my Xerophyte Shawl (you can read about its inspiration here), I wanted to include bobbles at intervals in the stockinette fabric - but working hundreds of full-sized bobbles was more effort than I was honestly prepared to make. And so I was very happy to come across Sarah Wilson’s article for Interweave, 5 Ways to Work a Bobble, which includes a method for making mini-bobbles using a wrapped-stitch method sometimes known as the Estonian Button Stitch. This method has the advantage of producing a small, flattish bobble without needing to turn your work, and is much faster than any other bobble method I’ve tried.
Read MoreHow to knit marlisle colourwork in the round
My Oil Paint Cowl showcases a type of colourwork knitting that’s similar to stranded knitting (or fairisle), but has some unique properties of its own. In ‘marlisle’ colourwork, the foreground pattern is stranded in the usual way, but the background is marled, i.e. it’s worked with both colours of yarn held together.
Read MoreHow to work mini-cables without a cable needle
Simple mini-cables, like those featured in my Beeswax Hat, Cowl, and Mitts, are easy to work without using a cable needle. If you're a cable lover, this is a brilliant trick to be familiar with - especially if you have a tendency to leave your notions bag in another room!
My favourite method is the 'slip and switch' method, which mirrors the movements of k2tog and ssk decreases. The difference is that after rearranging the stitches, you work them individually instead of decreasing them together.
Read MoreHow to block scalloped edges
The scalloped edges of my Beeswax Shawl are one of its most special features, formed by working increases or decreases at the ends of certain rows. I was determined to preserve these rippling edges during blocking, and I came up with the following method which worked very well. This method could be adapted for any shawl with a rippling edge, if you want a very even ripple and/or dislike using lots of pins.
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