New pattern: Observatory Gate

In the mood for some cosy cables? This squishable scarf was created in collaboration with John Arbon Textiles, who are launching their new Yarnadelic Worsted yarn tomorrow (which just happens to be my birthday - I’ll be 43)! The Observatory Gate scarf is thick and cosy, with an all-over cable pattern meandering to and fro over a background of reverse stockinette.

A dark cabled scarf displayed on a black table, with a small grey cat investigating

Every now and then I see something when I’m out and about and just know it needs to be turned into knitting somehow. Inspiration struck during a walk through Melbourne’s Royal Botanic Gardens when I laid eyes on the intricate wrought-iron Observatory Gate, so named because it marks the way to an old historic observatory. I snapped the photo below and began charting and swatching, trying to find an effective way of capturing the gate’s wavy, fluid trellis-pattern in knitting. After many false starts involving twisted-stitch mini-cables, larger cables, and even colourwork, I hit upon this cable pattern which strikes a good balance between knitability and aesthetics.

A wrought iron gate with an unusual flowing trellis pattern studded with stars

The Observatory Gate at the Royal Botanic Gardens, Melbourne Australia

To knit my sample I used 5 skeins of Yarnadelic Worsted by John Arbon Textiles, which is 100% Falklands Corriedale wool, at 235yds/215m per 100g skein. Yarn kits for this pattern will be available on their website shortly, in a range of beautifully-heathered colour options. I used the colourway ‘Black Gold of the Sun’, a complex greenish-black shade perfect for evoking old ironwork. I haven’t knit many cabled projects in a colour this dark, but now that I’ve tried it I’m obsessed. Shoutout to my new-ish pair of reading glasses, without which I would not have been able to weave in the ends no matter how good the lighting!

I love how the woolliness of the yarn helps minimise the little imperfections in my tension; my usual stretched-out cable stitches look much better after washing and blocking. I’ve previously used the sport-weight version of Yarnadelic for knitting colourwork (in my Cat’s Eye Cowl), and I thought it worked brilliantly - the woolliness once again helps smooth everything out and makes for a cohesive fabric, and there are so many inspiring colour options. I’ll definitely keep the worsted version in mind for heavier-gauge colourwork.

Amy is wearing a dark cabled scarf over a black jacket and smiling at the viewer
Amy is holding up a dark cabled scarf to show off the texture

The scarf measures 77”/195.5cm in length, which can be adjusted by working a different number of cable-pattern repeats, and the 13”/33cm width is easily adjustable by adding or subtracting a multiple of 12 stitches to the cast on. If you’re confident with working 2-over-2 cables this should be a nice straightforward project with an impressive result.

I recommend blocking your scarf once it’s finished to tidy up any wonky stitches and help the edges uncurl. I wet-blocked mine by soaking it in warm water with a little wool wash, gently rinsing it and squeezing out the water, and carefully laying it out flat to dry. I didn’t use any pins or wires because I didn’t want to risk stretching it too much and flattening the cables. Instead I smoothed it out with my hands, and used a long wooden ruler to check the edges were straight and even.

A wide cabled scarf is laid flat to dry on interlocking foam mats

My scarf laid out to dry on my foam blocking mats - please excuse the claw and nibble marks, my cats are a bit too keen on these mats!

Observatory Gate features:

  • A scarf knit from end-to-end, with an all-over pattern of interlinked cables

  • One size is included in the pattern, with suggestions for adjusting the length and width

  • Requires 1,107yds/1,012m of worsted weight yarn (shown in John Arbon Textiles Yarnadelic Worsted)

  • Choose a non-superwash wool yarn in a solid or heathered shade

  • Scarf dimensions, relaxed after blocking: 77”/195.5cm length, and 13”/33cm width

  • Charts and written instructions are both provided in full.

Two grey cats sitting on a dark cabled scarf arranged on a black table

My little helpers love to get in on the photoshoot action.

Find out more about my Observatory Gate pattern, including Ravelry and Payhip purchase options.

Ensata Revisited

Brooklyn Tweed are launching a new yarn this month, and they’ve knit up a new sample of my Ensata Scarf to show it off! I love the fun, juicy-looking colour and the slightly softer, plump texture in this yarn. Tones Light will be available to purchase from the 17th of August, with more details and colour-reveals coming soon.

The Ensata Scarf & Cowl pattern includes directions for knitting the scarf in either fingering or laceweight yarn, plus directions for a fingering-weight cowl knit in the round. During the month of August, Brooklyn Tweed are offering a rare $1 USD discount on the pattern on their website, with no coupon code needed.

A model is throwing a coral-pink lace scarf around her shoulders

Photo: ©Brooklyn Tweed

A model is wearing a coral-pink lace scarf softly draped around her shoulders

Photo: ©Brooklyn Tweed

A juicy coral lace scarf is draped over an old fashioned wooden chair

Photo: ©Brooklyn Tweed

New pattern: Beanstalk Cowl

The Beanstalk Cowl is a one-skein fingering-weight cowl featuring the same columns of lacy leaves and twisted ribbing as my Beanstalk Hat and Beanstalk Shawl patterns. This is my first cowl design with a tapered shape, which is created by working occasional increase rounds to add extra twisted-rib columns between the ‘beanstalks’. The wavy edges are created by the lace pattern, and add to the cowl’s general prettiness.

The pattern includes instructions for one size: 11”/28cm high, 22”/56cm circumference at the top, and 32”/81cm circumference at the bottom.

A few notes on potential modifications:

  • Adding a 24-stitch repeat will increase the circumference at both top and bottom (remember to allow for the extra yardage)

  • The height can be altered by working a different number of 6-round repeats between the increase rounds

  • If you’d prefer a slightly chunkier look and a stiffer fabric, you could substitute 200g of DK or worsted-weight yarn and cast on fewer 24-stitch repeats on larger needles (I would try US 6 / 4mm or larger). You might also wish to work fewer repeats between increase rounds.

The Beanstalk Cowl + two of my Beanstalk Hats

I had a bit of a journey settling on the right yarn for this design! At first I had my heart set on using my gorgeous skein of Farmhaus Fibres Grounded Twist (a BFL/nylon blend) in the Copper Red colourway. Unfortunately, as you can see from the swatch photo below, the stitch pattern just isn't shining like it should, and for a design sample I really need to showcase the stitch pattern. So I switched to the gentle grey colourway Perfect Day on Farmhaus Fibres’ non-superwash base Homestead Merino, and it was indeed perfect.

Unfortunately this yarn is currently unavailable (its creator is on a dyeing hiatus), but hopefully I’ll be able to give you enough detail on its special properties to give you confidence in substituting a different yarn.

First of all, it’s a fingering-weight yarn with two twisted plies, composed of non-superwash fine merino, with 437yds/400m per 100g skein. My Beanstalk Hat and Shawl samples were also knit in non-superwash yarn, which I find helps to highlight the texture of the lace and ribbing in these designs. Colourway choice is also important for this pattern, as I discovered when swatching - the stitch pattern stands out the best in a solid or very-nearly-solid colourway. A number of my preview knitters also made beautiful cowls using subtly-variegated yarn. I think the problem with my Copper Red swatch lies with the tiny golden flashes which are much lighter than the base colour. If you do choose a semi-solid or variegated yarn, go for one that is low-contrast.

Comparing two yarn options - the stitch pattern is much clearer in the near-solid Perfect Day than the Copper Red

I blocked my cowl very simply by soaking it in warm water with a little wool-wash, rinsing and gently squeezing, and spreading it out flat on a blocking mat. I decided not to use pins or wires to avoid flattening the texture too much (and because skipping them makes for a much quicker blocking session). This method also preserves the naturally wavy edges - I decided to embrace them this time, rather than flattening them out as I did when I blocked my Beanstalk Shawl using wires.

Carefully spread out to dry on a blocking mat

Admiring the pretty edges

Beanstalk Cowl features:

  • A tapered cowl knit in the round from the top down, with alternating columns of lacy leaves and half-twisted ribbing

  • One size is included in the pattern, which uses only a single 100g skein

  • Requires 417yds/381.5m of fingering-weight yarn (shown in Farmhaus Fibres Homestead Merino)

  • Choose a non-superwash wool yarn in a solid or near-solid shade

  • Cowl dimensions, relaxed after blocking: 22”/56cm narrowest circumference, 32”/81cm widest circumference, and 11”/28cm height

  • Charts and written instructions are both provided in full.

Find out more about my Beanstalk Cowl pattern, including Ravelry and Payhip purchase options.

New pattern: Heartwood Hat

It’s one year to the day since I released my Heartwood Cowl design, and at long last it has its companion hat! Introducing the Heartwood Hat, a cosy, deeply-textured beanie in DK-weight yarn featuring an all-over pattern of cabled hearts entwined with ribbing.

I actually started working on the hat design long before the cowl, but got bogged down in puzzling out the crown decreases. After a lot of unsuccessful swatching I put the hat to one side and concentrated on the cowl, and just before that pattern was ready to publish I was struck by a new idea for the hat! Sometimes sleeping on a puzzle takes rather a lot of sleeps before the brain spits out a solution. And here it is: some ribbing, a few twists, and some petal shapes in between.

The Heartwood Hat sample blocking over a balloon.

A tip from my fabulous test knitter Myriam (strickeyhands on Ravelry): if you find your stitches look a little sloppy in the crown decreases section, switch back to your smaller needles.

The yarn I used for the sample is once again from the fabulous Aussie dyer Happy Hank Co. To knit the larger size I used one 100g skein of Classy DK, but you could also use fingering-weight yarn held double, as one of my test knitters did to great effect. Classy DK is a smooth, multi-plied, superwash merino yarn, and the colour, Soba, is a very gentle pale pink. To really show off the complex cables I recommend choosing a solid or near-solid colourway, or some subtle speckles.

Two sizes are included in the pattern, and the larger size is comfortable and slightly slouchy on my 22”/56cm diameter head. It’s long enough to wear with the brim pulled down for cosiness or with a short turn-up.

Skills needed to work this pattern include the Long Tail Cast On (or your favourite for 2x2 ribbing), working in the round, working 2-over-2 cables and a few six-stitch cables, and working decreases. Both charts and full written instructions are included.

Heartwood Hat features:

  • a beanie hat knit in the round from the bottom up, with an all-over texture of cabled hearts and ribbing

  • two size options are included in the pattern, each using only a single 100g skein

  • requires 167 (200)yds/153 (183)m of DK-weight yarn (shown in Happy Hank Co Classy DK)

  • choose a smooth, multi-plied, worsted-spun yarn in a solid or near-solid colour

  • hat dimensions, relaxed after blocking and unstretched: 15 (18)”/38 (46)cm brim circumference, and 8.5”/21.5cm length from cast-on to crown, to fit 18-20 (21–23)”/46-51 (53.5-58.5)cm head circumference. Sample shown in larger size on my 22”/56cm head

  • charts and written instructions are both provided in full.

Find out more about my Heartwood Hat pattern, including Ravelry and Payhip purchase options.

New pattern: Cat's Eye Cowl

I’ve been wanting to design some cat-inspired knits for a long time. This year, when my cats have been such wonderful little distractions through lockdowns and uncertainty, has turned out to be the year! The Cat’s Eye Cowl is a tribute to my beautiful kitties Sasha and Katya, who always like to keep a close eye on me in case I might be about to hand out cat-treats or a new cardboard toy. The cowl is a short loop knit in the round, with an all-over stranded colourwork pattern featuring gleaming feline eyes and strong geometric lines.

Cat's Eye Cowl 1
Katya, age 2

Katya, age 2

Sasha, age 2 & 1/2

Sasha, age 2 & 1/2

And Mitzi, Mum & Dad’s feline friend

And Mitzi, Mum & Dad’s feline friend

I usually begin my colourwork designs by filling in squares in an Excel spreadsheet, which allows me to quickly copy & paste and go through a lot of variations quickly. This colourwork pattern actually began life as a moon-and-stars design, and as I played with it over time I decided the moons should be cat-like eyes instead. Not much remains of the original idea in the present pattern, except for the glints of starlight in the centre of each eye and the shading towards their outer edges. As is the case with many of my knitting ideas, simplifying the design over a number of iterations made it much stronger and also much more ‘me’.

Cat's Eye Cowl 2

The yarn I used for my sample is John Arbon’s Yarnadelic (100% Falklands Corriedale Wool; 364yds/333m per 100g skein), one skein in Sunflowers in my Garden for the main/background colour and one skein in Indigo Dust for the contrast colour. Yarnadelic is a multi-plied yarn with a bit of a woolly halo which helps the colourwork stitches ‘stick’ together, and the colours are beautifully rich and complex.

Two height options are included in the Cat’s Eye Cowl pattern, 9”/23cm and 11.5”/29cm, and it’s easy to alter the 24”/61cm circumference by working additional repeats if you prefer a longer or double-wrapped cowl.

Skills needed to work this pattern include the Long Tail Cast On (or your favourite cast on that will work with 3x1 ribbing), working stranded colourwork in the round, and following a colourwork chart. Tips on colour dominance, tension, and swatching colourwork in the round are included in the pattern. I would also recommend going down a needle size when you work the ribbing, which I wish I had done! You can see in the photos below the bottom ribbing has flipped up. It laid flat just fine after blocking, as you can see in the non-modelled photos - up until I put it on and moved around. I think it actually looks ok, but that wasn’t supposed to happen…

This blog post from Felicia of The Craft Sessions has a few more tricks to help avoid flippage: How To Stop Your Knitted Hem From Flipping Up.

Cat's Eye Cowl 3
Cat's Eye Cowl 4

Cat’s Eye Cowl features:

  • a short cowl knit in the round, with an all-over stranded colourwork pattern of cat’s eyes and geometric elements

  • two height options are included in the pattern, and the circumference is easily adjustable to your preference

  • requires MC (Main Colour): 127 (169)yds/117 (155)m + CC (Contrast Colour): 185 (228)yds/170 (209)m in sport or heavy fingering-weight yarn (shown in John Arbon Yarnadelic)

  • choose a wool or wool-blend yarn suitable for colourwork, in colours with sufficient contrast

  • cowl dimensions, relaxed after blocking: 24”/61cm circumference, and 9 (11.5)”/23 (29)cm high from cast-on to bind-off. Sample shown in 11.5”/29cm height.

Cat%27s+Eye+Cowl+Sketch
Cat's Eye Cowl 5

Find out more about my Cat’s Eye Cowl pattern, including Ravelry and Payhip purchase options.